01- Introduction
  The Dog
02- Part I
03- Part II
04- Part III
  The Monkey
05- Part I
06- Part II
07- Part III
08- Part IV
09- Part V
10- Part VI
11- Part VII 
  The Dragon
12- Part I
13- Part II
14- Part III
15- Part IV
16- Part V 
17- Part VI 
18- Part VII 
19- Part VIII 
  UR / Drexciya / D1
20- Part I
21- Part II
22- Part III
23- Part I
24- Part II
25- Part III
26- Part IV
27- Part V
28- Part VI
29- Part VII
30- Part VIII
31- Part IX
32- Part X
33- Part XI

18 - The Dragon VII



At this stage I was absorbed purely in the material itself, without much thought of how to realise it, except to occasionally write a synopsis or treatment. The agent representing the first script and the original low budget plan had kind of just settled in the background and I went with the flow of the work itself - writing into a deeper and deeper cave. I was becoming truly obsessed by the 'White Monkey' world I was creating. I was becoming my own 'Dream King'.

I had created a story spanning hundreds of years, combining and blurring the line between Ancient Asia and Ancient America - a story whose main characters trace a path of a steady cultural gradation around the Pacific Ocean.

The 'Seventh Earth' map was beginning to clarify itself, step by step, through these people and their story, and the cultural and ethnic gradation around the Ring Of Fire ( the belt of volcanic and earthquake activity surrounding the Pacific ) was starting to become apparent as a driving force in the work.


  Alan Lambert 2009